I don’t know how to put into words exactly what I want to say.
I don’t know how to describe perfection.
I know I’ve mentioned it previously, but some odd ten to twelve years ago my obsession with architecture started. I bought books and books about architecture, and if I wasn’t buying them, I was going through all of them at Barnes and Noble seeing if I would want to buy them.
The funny thing is, I’ve always had an obsession with modern architecture. Much more so than modern art. For the longest time, I just didn’t understand modern art, and I can’t exactly put my finger on when all that changed, but at this point in time, I would take a Pollock to the Mona Lisa any day of the week.
I think it’s had a lot to do with me finally understanding what’s not to understand about modern art. Obviously, there is a feeling or statement that the artist wants to get across, but he goes about it in such a way that you can construe whatever kind of meaning you want onto the piece of art.
I love how they don’t tell you what to think.
I love how it’s not like looking at a portrait of a person and thinking, “Oh, that’s a person.”
It’s about what YOU see in the image. To me, modern art is about YOU. Much more so than it is about the artist.
And so it all comes into play, modern architecture and modern art combined in the most incredible of ways.
In the most self-defining and self-discovering moment of my life.
Complete awe is really the only way to describe my feelings upon finally seeing the building itself. Just pure emotion.
Wonder. Love. Amazement.
The most beautiful piece of art or architecture I’ve ever seen in my life.
And I was quite underprepared for what I would find inside. I felt that seeing the building itself would be enough. Seeing and photographing and just being in the presence of the building would be well worth what I paid for the trip, in my eyes.
But little did I know. Little did I know.
The first piece we saw was The Matter of Time by Richard Serra, and I had also seen it in pictures, but it absolutely and completely blew me away.
The gallery that housed the installation had to be at least a quarter of a mile long, if not longer. And it was filled with huge pieces of steel at least 10 feet tall and about 3 inches thick. But they looked like they were floating. They looked like they were weightless. And you stand and stare because your mind can’t wrap around the fact that something so ridiculously large and heavy could simply be standing straight up as if it were a sheet of paper.
But that’s not all.
The whole installation is about your movement through the piece. How you see steel, what path you take. When you walk inside the pieces that sense of excitement that you get from the unknown, from wanting to see what’s next.
There was a piece that was in the shape of an eye, but when you walked into it, it was like walking through a spiral. Walking, walking, walking. Trying to find the center. And when you got there, it was just steel and concrete floor like you expected it would be, but it was the excitement of getting there. The excitement of not really knowing where you’re going or what’s going to be on the other side. It was absolutely incredible.
My favorite piece (and trust me, it’s REALLY hard to choose favorites) was a piece called Installation for Bilbao by Jenny Holzer.
She had been given the space to create something before the museum opened, and as we heard her describe it on the audio tour, it really was a beautiful space. Three curvy white walls about three stories high. And a prime place for people to see her work as they passed by to go into another gallery.
I didn’t count, but I believe it was something like nine thin towers of LED lights stretched vertically from floor to ceiling, and writing flashed from bottom to top in English, Spanish, and Basque.
The fonts and the way the words appeared were always different, but the words remained the same. Originally, the writing had been meant for an AIDS campaign, but was never used, and she saw the words as much more than just a campaign for AIDS.
Because they were.
So many of the sentences reminded me of different people in my life, but every single time I watched it, when it got to the last two sentences, I couldn’t help but cry. And I’m crying now. To me, that’s what art is about.
“I smell your clothes. I keep your clothes.”
All I can think about is Grannie and Grandpa and that tan fleece blanket.
So, I knew nothing would mean more to me than that piece, even though it was only the second one I saw.
The next gallery was paintings and sculptures, and there was one silk screen/mixed media that I really liked a lot. Barge by Robert Rauchenberg. You can look it up online if you like J
We got to see a Warhol, One Hundred and Fifty Multicolored Marilyns, which was obviously pretty sick. Especially having taken my Art Appreciation class and studying Warhol for a significant amount of time.
There was another one, and I didn’t write down the artist or title, but I believe it was Flamingo Capsule by James Rosenquist. Very, very modern and graphic, and I think it was the only piece that I was truly happy I had the audio tour for. It was a piece about a rocket that exploded above Cape Canaveral, but the audio tour explained what all the designs meant, and my appreciation for the piece increased even more.
On the second floor was Anish Kapoor’s exhibition, and I honestly couldn’t have hoped for anything more. It was absolutely mind-blowing and ridiculously modern. I absolutely adored every single piece.
My favorite of his, however, at the time I was there, was the cannon. You walk into this gigantic room with all white bare walls, and immediately in front of you is a cannon, a fan, and stacks of what looks like paint cans. But what really strikes you is the crimson red streaks that run down the corner the cannon is shooting into. And all this crimson water and matter on the floor. To me, it looked like a warzone. It looked like bloody gauze.
In actuality, it was ten kilograms of red wax in those “paint cans,” and that wax was shot out of the cannon at 80 kilometers per hour, then sticks or slides down the wall into the huge pile in front of the piece.
So powerful. So just “wow.”
He had a lot of pieces that he did working with pigment and fiberglass, which were awesome. Then there was just a blank white wall that people were staring at, and I didn’t understand it. Turns out, it was a semi-circle that was built into the wall, and you could only see it from the side. Trippy.
Along the same vein was Yellow, in a room of its own, it was a huge yellow square in the wall, at least ten feet tall, but in the center was a curve. And your eyes couldn’t figure out whether it was convex or concave.
In retrospect, I almost think that The Healing of St. Thomas was my favorite. I didn’t understand what it was about when I saw it because I have been so used to not knowing anything about saints, seeing that Spain is 98% Catholic. So, when I read “St. Thomas,” I just disregarded it as something I didn’t know.
It was a smaller white room, almost completely enclosed except for the entrance, and there was only one small slice in the wall, the inside of it painted red. It looked like an incision of some sort.
Doubting Thomas.
Kapoor also had polished steel sculptures that were mirrors and another piece with red wax. It was a circle probably 25 feet in diameter, but there was a “knife” that rotated one full turn every hour, sculpting the piece. Very cool.
After I finished on the second floor, however, I was getting ready to puke my guts out. It was probably a combination of exhaustion and hunger, but I started to get really hot, got goose bumps, and felt so sick to my stomach. I sat down for awhile, then went to the bathroom and horrible diarrhea.
Stephanie went to the café with me, and I just got water and a banana, but I still felt like shit and just wanted to lay down, so I told her to go back in the museum, and I went and laid down on a park bench outside the museum.
At first, I was incredibly pissed because this has been the one thing I’ve wanted to do in my life, and what happens? I get sick.
But then I realized that the sun felt so good and warm, I was watching couples and families playing in a fountain in front of me, and in the background was the most beautiful building in the world. How could I be pissed about THAT?
Then a little sparrow hopped his way up in front of me, so I threw him a tiny piece of my banana.
Then five more flew up. I just had to laugh. They really are my favorite birds. They are just so tiny and happy. I love them.
So, I relaxed in the sun awhile longer until I started to feel better. Then I headed around the outside of the building to take some more pictures without feeling pressured by the group to move on. Sometimes, I just like being on my own. I like doing my own thing.
There was a bride getting photos taken outside the building, so I snuck some, too. She was wearing an asymmetrical dress like I want. A sign? I think so.
Sean, change of plans. We’re getting married outside the Gugg J In front of Puppy by Jeff Koons. It is a huge “living” sculpture of a puppy that sits about three stories high outside the museum. Made completely out of flowers. Gorgeous and adorable at the same time.
I finally headed back in to the third floor, which was Henri Rousseau, much to my dismay. For some reason, I’m just not digging on “real” art…aka paintings that you can decipher with one glance.
So I basically ran through that exhibition. Get me the fuck outta here.
However, also on the same floor was Robert Rauschenberg, who used found objects to create his exhibition called Gluts.
It was absolutely fantastic, and now I completely understand and appreciate found art.
The majority of his pieces included road signs or old flip-price metal gas station signs. However, there was a piece made out of old blinds, one out of a slide, a bike, and a heavy-duty restaurant sink.
I adored it, and I wish I would have spent more time looking at it, but I was still feeling kinda grody and ended up in the bathroom with diarrhea again. Glorious.
After that second wave, I went back to Anish Kapoor’s exhibition and got to see the performance art piece of Cannon. I got to see someone actually shoot the wax out of the cannon. It was pretty cool, to say the least.
Then I went downstairs to see my favorite piece, cried some more, then left to grab some souvenirs, because, let’s be honest, this is really the only thing I cared about seeing in Spain. So I bought 15 postcards and a few trinkets.
Then I hunted down Stephanie, Alee, and Ford, and we walked around downtown for awhile. Found El Corte Ingles, but it ended up being only books and electronics, and we were trying to find Stephanie a Bilbao soccer jersey to get for her boyfriend. So, then we found the real Corte Ingles, which was SEVEN levels. Outta control. And there was a fancy “cafeteria” on the top level where Stephanie was searching for the jersey, so I got PASTA! And it was delicious. And Coke.
It’s funny because I really don’t drink that much soda in the States, but here, all I want is Coca-Cola 24-7. Weird.
I ended up buying a Desigual purse because, let’s face it, I’m a sucker for purses. And the brand is Spanish, and it’s only sold in Spain and France. Could you really expect me NOT to get one?
Sean, it has an elephant on it J
We walked around for awhile after that but ended up taking the tram back toward our hotel because we were all beat.
Then we still had Mt. Everest to climb after getting off the tram.
That has to be my only complaint of the whole trip. It was a four-star hotel, and it was out of control awesome, but you basically had to climb a mountain to get there.
I have pictures of the hotel lobby. I want my living room to look like it. Modern as crap and awesome as shit.
Did I mention how much heaven the Jacuzzi bath was? I haven’t had access to a tub in a month, so it was glorious. And the bathroom was all dark grey tile and just awesome.
Stephanie, Alee, Ford, and I bummed around the hotel for awhile, I uploaded pictures and played around. We watched ridiculous cartoons in Spanish and such.
Then the four of us and Ryan decided to go out for a bit. We ended up just grabbing a table in a hoppin’ part of the city, visiting for a long time, and drinking. The nice part was, it was in the older part of the city, so it was only foot traffic, no cars. The buildings were packed in there tight, and it just felt homey.
Had some good conversations and some good laughs.
I have to admit, I was kinda feeling it after two glasses of wine, and that was about the time we decided to head home, so it worked out well.
Other than our epic fail of walking up a HUGE hill to get to the kebab place, and they were closed. Even though they were supposed to be open til 2.
Since there were no other food places open anywhere, we just decided to head back to the hotel. And I fell asleep almost immediately.